New York Fashion Week was another success, although sadly it had its last hooray in Bryant Park.
Bravo to designer duo Brian Wolk and Claude Morais of Ruffian! Their Fall/Winter 2010 collection was no exception to the beautiful designs presented throughout the week. Vision On created the FW 2010 video.
Read more about the designers in an interview with the Huffington Post.
Vision On will screen its short film, La Demimondaine, starring Iris Strubegger on February 12 at the ultra posh nightclub, The Box. Lorenzo Martone’s public relations and talent agency, ARC New York, will host the event for Ruffian designers Brian Wolk and Claude Morais.
The event will mark the first public screening of La Demimondaine.
See the official announcement on style.com.
Photographer Jamie Isaia recently completed an ethereal video lookbook for the Soho-based label Loeffler Randall. Serene, suspenseful, with spot-on styling, T Magazine called the piece a “noteworthy development” in the history of fashion’s forays into digital.
Vision On worked with Isaia on the stills, which are currently featured in Loeffler Randall’s Spring-Summer 2010 campaign. More and more we think this kind of pairing of motion and stills will be the way to go for brands especially with Apple’s recent announcement of the iPad.
Wes Anderson’s The Fantastic Mr. Fox was one of the more fun movies to come out this fall. The stop motion animation piece was shot on digital SLRs with a total of 621,450 still frames.
Based on the classic by author Roald Dahl, this is definitely one adults and kids both will enjoy, if for different reasons.
Abbreviated online version of the film “Kreemart NYC-11032009.”
Our latest work is a conceptual film, “Kreemart NYC-11032009.” It is now showing in the exhibition “Being in the World: Selections from the Ella Fontanals-Cisneros Collection” at the Cisneros Fontanals Art Foundation in Miami until March 7, 2010 and debuted at Art Basel Miami Beach 2009.
The film captures the night of an exclusive art happening called Kreemart in collaboration with American Patrons of Tate held at the New York gallery, Haunch of Venison, on November 3, 2009. The concept behind the happening was for artists to use cake as a medium. Featured artists included Marina Abramovic with the “Abramovic Experiment”, Leandro Erlich with his cake replica of a Mies van der Rohe Barcelona couch, Mickalene Thomas with her cake infused rendition of Toni Basil’s “Hey Mickey” and Rob Wynne with his cake shaped in the word “cake.”
Filmed by three camera teams and a video equipped RC blimp, “Kreemart NYC-11032009” presents a large variety of views, emotions, and experiences throughout the night. Attendees also asked to participate in the filming of the event using an additional six digital handheld camcorders passed amongst the crowd.
Vision On creative director, Sandro Suppnig, found his inspiration for the film from the Allan Kaprow quote, “The line between art and life should be kept as fluid, and perhaps indistinct as possible.” Thus, the film becomes a happening itself infused by a variety of personalities and shaped by the feelings of the individuals who created it. The line between audience, filmmaker, life, and actor blurs.